He takes a crew of sailors and Ann to an unknown island without knowing the dangers.
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What is interesting about the original King Kong is that Denham is nothing of the sort. In re-makes Carl Denham or his substitute is presented as being essentially an unpleasant man. He only wants to make a movie, and she looks right for the part. He finds a hungry Ann stealing fruit, and he immediately casts her in his film, but he makes it plain to her that his concern for her is not out of kindness and he is not interested in sex. So on the very evening of setting off on his journey abroad, Denning goes out on the street looking for an actress. Denham has reluctantly agreed that he needs to have a female star as the love interest for his movie, but his wild approach to moviemaking is such that the studios will not find him one. Even the casting of Ann Darrow is the act of a film director who takes chances. We therefore have a film within a film, as Denning arranges for an expedition to go to Skull Island (not so named in the film) to capture footage of a mysterious monster worshipped and feared by the natives.ĭenham even gets Ann Darrow to rehearse showing fear, which will be good practice for when she sees the real Kong. When Kong appears, he acts exactly to type, fixating on Ann Darrow until he is conquered by ‘the little fellers’. He went soft, he forgot his wisdom, and the little fellers licked him. Denham is keen to stress a Beauty and the Beast angle, as he believes this will make the film more popular: The whole story of King Kong is outlined from the very beginning by Carl Denham before it has even happened. Denham is not an arty film director, but one who wishes to make money and please audiences, and this is true of Schoedsack as evidenced by his most famous films, the two Kong movies, Dr Cyclops and Mighty Joe Young. I suspect there is a strong tinge of the personality of Schoedsack in Carl Denham, a similar spirit of enthusiasm, and a love of populist storytelling. The directors Merian C Cooper and Ernest B Schoedsack seemed to acknowledge as much when they made Denham the hero of the sequel, Son of Kong. No, the real hero is the movie director Carl Denham (Robert Armstrong). The real hero of King Kong (if we discount the titular ape himself) is not the ship’s first mate Jack Driscoll (Bruce Cabot) who provides the love interest for the heroine Ann Darrow (Fay Wray), and even rescues her from Kong. It might almost be said that King Kong is about the making of a movie called King Kong. It is also a movie about the making a monster movie.
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King Kong is the greatest monster movie of all time.